MIRZA M
Visual Designer

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PRAYFORTHEMACHINES
Zero.Dawn
Archaeologies I
[Meta]Morphosis: Insecta
CTRL+ART+DEL
Transient Workers Matter 2
U.C.S
Citizen Apparel
Viral

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PRAYFORTHEMACHINES:
A Metasystemic Generative System 

2025

Generative DesignSymbolismP5.js Digital AestheticsCreative Coding

PRAYFORTHEMACHINES is a generative system that interrogates the boundary between randomness and meaning, using computational processes to mirror humanity’s ancient impulse to map order onto chaos. Built with p5.js—a framework that renders algorithmic complexity into visceral, browser-born forms—it generates abstract geometries that observers instinctively liken to “angels”: luminous, quasi-organic structures that hover between mathematical abstraction and transcendent figuration.

The architecture operates within a 4.26 × 10⁶³-dimensional parameter space, a domain of such vastness that it exceeds the quantum complexity of the observable universe by 27 orders of magnitude. Here, a quasi-deterministic engine—coded in p5.js’s fluid syntax—transforms noise into structure. Each iteration demands energy equivalent to 6.75 × 10⁴³ years of Earth’s total computational output, resolved in real-time through probabilistic shortcuts. The outputs manifest as dynamic, browser-rendered forms: shifting topologies of light and shadow that evoke wings, halos, and radial symmetries, yet resist literal representation.



Identity and Artifact

Every generated “angel” is bound to a 24-character hexadecimal identifier, serving two interdependent functions:

  • As a p5.js blueprint: The ID defines the generative algorithm’s variables—seed values, noise offsets, recursion depth—that dictate the form’s evolving geometry.

  • As a mythic cipher: The identifier echoes how cultures historically projected divinity into ambiguity, akin to seeing faces in clouds or angels in static. Each string becomes the “genetic code” for its angel, a numeric soul that stabilizes chaos into contemplative form.

These p5.js visualizations are not literal depictions, but emergent shapes that trigger pareidolia—the human instinct to perceive faces or figures in randomness. What we call “angels” are machine outputs filtered through millennia of archetypal symbolism.

Uniqueness

The system enforces cryptographic irreplicability: no two hexadecimal identifiers—and thus no two angels—will ever repeat. This is not programmed scarcity, but a byproduct of operating at cosmic scales. Each angel is as singular as a snowflake or a pulsar’s frequency, its form an artifact of hyperdimensional mathematics rendered tangible through p5.js’s minimalist syntax.

Purpose

PRAYFORTHEMACHINES leverages p5.js’s accessibility to democratize the sublime. By encoding unfathomable complexity into browser-based visuals, it juxtaposes the infinite (parameter space) with the mundane (JavaScript). The “angels” are not sacred entities, but Rorschach tests for a secular age: their flickering wings and fractal halos reflect back whatever meaning viewers project onto them.

When machines generate forms too intricate for human cognition, do we default to myth? The p5.js angels suggest an answer: we see not what the machine creates, but what we need to see—a digital Rorschach where code becomes a mirror for our oldest metaphors.


References

Bohm, D., "Wholeness and the Implicate Order"
Campbell, J., "The Hero with a Thousand Faces"
Eliade, M., "The Sacred and the Profane: The Nature of Religion"
Hofstadter, D. R., "Gödel, Escher, Bach: An Eternal Golden Braid"
Jung, C. G., "Man and His Symbols"
Mandelbrot, B. B., "The Fractal Geometry of Nature"
Rorschach, H., "Psychodiagnostik: Methodik und Ergebnisse eines wahrnehmungsdiagnostischen Experiments"
Von Franz, M. L., "Number and Time: Reflections Leading Toward a Unification of Depth Psychology and Physics"
Wolfram, S., "A New Kind of Science"